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 From the Velma Theatre: The Fauna Machine(2020, 7¹⁵⁄₁₆" x 6½", paper on cardboard) First in a planned series. |  Eastward View of the Lot Where Boyle and Thomas Streets Meet DeSmedt Lane(2020, 9¼" x 6", paper on cardboard) |
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 Floatin' 'Cross the Field and We're Almost There (out side)(2018, 13" x 12", paper on cardboard, double-sided piece, one side shown) |  Floatin' 'Cross the Field and We're Almost There (in side)(2018, 13" x 12", paper on cardboard, double-sided piece, one side shown) |
 BRONXVILLE!(2018, 13" x 10", paper on cardboard) |  Balance-Imbalance(2011, 8¼" x 5⅝", paper on thin cardboard, pre-fab background) |
 Cat says: "Better than history!"(2011, 10½" x 8", paper on cardboard, pre-fab background, currently in the private collection of that Beschler woman.) |  New York Aberrant, August 12, 1954, Page 11(2012, approx. 4¼" x 6", paper on thin cardboard, currently in the extra-private collection of the fiendish Dr. Kobb,) |
 A Tuesday Afternoon in Linosten Pass, Kobb Mountains(2015, 7¾" x 3½", paper on paper mask) |  West 11th Street(2016, 11¼" x 7½". paper on cardboard, first in a planned series, currently in the private collection of the Boston contingent) |
 Stanza 1 (2016)(2016, 15½" x 11", paper on cardboard) Part 1 of planned triptych. Original photo by J. Conder. |  Boyd Road (front)(2016, 2⅝" x 8¼", paper on cardboard, double-sided piece, one side shown) |
 Boyd Road (back)(2016, 2⅝" x 8¼", paper on cardboard, double-sided piece, one side shown) |  McLaughlinville After Dark(2017, 9" x 7¾", paper on paper) |
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